After being glazed, my pieces were ready for their second and final round in the kiln. The kiln is so deep that to place the medallions at the bottom, I had to fold over the edge with my head and shoulders in the depths. The next day, the firing was complete. Once the temperature in the kiln had dropped to 170°F (the top temperature reached is 2000°F), Patty and I ventured out into the kiln room. She assured me that I would return to the studio either smiling or crying, depending on how many had survived the firing. I got ready to open the kiln…and peered in…. And saw……
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Ceramics Is Not All Fun and Clay
It’s been lovely to devote the past two weeks to being creative. My project is going swimmingly, and I have also had a most enjoyable time helping Patty with some of her work—I painted earrings and buttons she made with black glaze so that she could etch them, glazed some of her workshop students’ work, and made clay slabs. Ceramics, however, is not all fun and play. After my medallions emerged from their first round in the kiln, Patty introduced me to glazing. Glaze looks like watery plaster, and is applied to a piece before it is replaced in the kiln, where the glaze turns into a transparent glassy layer.…
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Creativity, Intuition and Patience
Ten days into my project, I am starting to answer my essential question: What skills must a ceramic artist master distinct from those of a 2D artist, and how can some of these skills be applied to other facets of one’s life? The most crucial skills I have observed so far are creativity, intuition, and patience. These are not necessarily unique to ceramics; in fact, they are probably just as applicable to 2D art. My exposure to a new medium has simply brought my attention to them. Creativity does not take only the form obviously necessary for any sort of artistic endeavor; I have noticed that in Patty’s studio,…
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Ceramic Art in an Old Schoolhouse
Patty’s studio is in a 19th century one-room schoolhouse located on Cambria’s Main Street. The cream colored clapboard, red trim, and bell tower (the original 1880’s bell still resides up there) might as well be right out of a Little House on the Prairie novel, and arriving each morning is like going on jaunt back in time. Today was my third day of decorating forms, and with 40 pieces completed, I am getting very used to having clay-covered hands. About decorating: Patty specializes in etched ceramics. Remember those Scratch-Art sets from elementary school, how you would scrape off the rubbery layer on a piece of board to reveal the colors…
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Learning About Clay
For the next three weeks, I will be studying ceramics under the guidance of Cambria based artist Patty Griffin. My essential question: What skills must a ceramic artist master distinct from those of a 2D artist, and how can some of these skills be applied to other facets of one’s life? I have wanted to try ceramics for as long as I can remember, and I walked into Patty’s studio yesterday morning with enthusiasm enough, I hoped, to make up for my lack of experience. The process, I soon learned, begins with a pug. Not a dog—although Patty does have a very majestic poodle named May—but with a cylindrical piece…
